No easy answers. No big international spy secret bank accounts. No superheroes or magic. Just her wits, guts… And a very large gun.
Training to be a killer was only the first half of the job. Now Kim has to put her life on the line – not just to get revenge on her crooked ex-boss, but to keep from being killed herself before she can take her first shot. Her only help is Cole, the crippled hitman who agrees to show her how to use a gun. And they’re up against not only a crew of murderous security guards – but Kim’s own fears and doubts as well. If she’s going to survive, she’ll have to do things she’s never done before – and become something beyond her wildest imagining.
Noted science fiction, fantasy, and noir author K. W. Jeter takes a new turn in the thriller genre, building on the dark, gritty moods of his previous science fiction and horror novels. Fans of mystery and suspense novels will find a lot to like in the Kim Oh series. It recalls Richard Stark's (Donald Westlake's) Parker novels but with a smart, tough female taking the lead. Kim is cousin to Sara Paretski's V.I. Warshawsky and Stieg Larsson's Lisbeth Salander (The Girl with the Dragon Tattoo). Sit back, buckle up, get ready for the ride . . .
No easy answers. No big international spy secret bank accounts. No superheroes or magic. Just her wits, guts… And a very large gun.
Training to be a killer was only the first half of the job. Now Kim has to put her life on the line – not just to get revenge on her crooked ex-boss, but to keep from being killed herself before she can take her first shot. Her only help is Cole, the crippled hitman who agrees to show her how to use a gun. And they’re up against not only a crew of murderous security guards – but Kim’s own fears and doubts as well. If she’s going to survive, she’ll have to do things she’s never done before – and become something beyond her wildest imagining.
Noted science fiction, fantasy, and noir author K. W. Jeter takes a new turn in the thriller genre, building on the dark, gritty moods of his previous science fiction and horror novels. Fans of mystery and suspense novels will find a lot to like in the Kim Oh series. It recalls Richard Stark's (Donald Westlake's) Parker novels but with a smart, tough female taking the lead. Kim is cousin to Sara Paretski's V.I. Warshawsky and Stieg Larsson's Lisbeth Salander (The Girl with the Dragon Tattoo). Sit back, buckle up, get ready for the ride . . .
Transforming Publishing for Today's Authors
Name some of the huge bestselling books over the years--In Cold Blood; All the President's Men; The Perfect Storm; Black Hawk Down; Longitude; Jarhead--and they all have one thing in common: they all read like novels.
Author and agent Peter Rubie shows the reader how to join journalistic research with riveting, character-driven prose to create narrative nonfiction. This is the only book to focus on writing and marketing the narrative nonfiction "novel."
Brings the intricacies of narrative nonfiction to light in an easy-to-use fashion. . . . engages through Rubie's wonderful writing style. Don't miss this book if you are writing true adventure, biography, history, memoir, military, travel or true crime.
A true story told by a great writer becomes history, because stories are how we remember.
Rubie has written a thoughtful and useful introduction to the art of nonfiction storytelling.
I wish I had had this book thirty years ago, when I started out.
—Mark Bowden, author of Black Hawk Down: A Story of Modern War
The Elements of Narrative Nonfiction is an invaluable resource for anyone grappling with a nonfiction project. It’s smart, cogent, and comprehensive.
—Betsy Lerner, editor turned literary agent and
author of The Forest for the Trees: An Editor’sAdvice to Writers
In a publishing market where “narrative nonfiction” is looked on not just as a genre but as the holy grail, Peter Rubie steps forward to do what no one else has done before—define the craft
and lay out precepts for new bestsellers.
—John Silbersack, former HarperCollins VP and Senior VP Trident Media Group
Really excellent—by far the best (most informative, most readable and just the most useful) advice
I’ve read on writing and selling narrative nonfiction, the “novel of true events” (I love that phrase!).
—Leslie Sharpe, author, editor, and professor of creative writing and journalism at
Columbia University