No easy answers. No big international spy secret bank accounts. No superheroes or magic. Just her wits, guts… And a very large gun.
Training to be a killer was only the first half of the job. Now Kim has to put her life on the line – not just to get revenge on her crooked ex-boss, but to keep from being killed herself before she can take her first shot. Her only help is Cole, the crippled hitman who agrees to show her how to use a gun. And they’re up against not only a crew of murderous security guards – but Kim’s own fears and doubts as well. If she’s going to survive, she’ll have to do things she’s never done before – and become something beyond her wildest imagining.
Noted science fiction, fantasy, and noir author K. W. Jeter takes a new turn in the thriller genre, building on the dark, gritty moods of his previous science fiction and horror novels. Fans of mystery and suspense novels will find a lot to like in the Kim Oh series. It recalls Richard Stark's (Donald Westlake's) Parker novels but with a smart, tough female taking the lead. Kim is cousin to Sara Paretski's V.I. Warshawsky and Stieg Larsson's Lisbeth Salander (The Girl with the Dragon Tattoo). Sit back, buckle up, get ready for the ride . . .
No easy answers. No big international spy secret bank accounts. No superheroes or magic. Just her wits, guts… And a very large gun.
Training to be a killer was only the first half of the job. Now Kim has to put her life on the line – not just to get revenge on her crooked ex-boss, but to keep from being killed herself before she can take her first shot. Her only help is Cole, the crippled hitman who agrees to show her how to use a gun. And they’re up against not only a crew of murderous security guards – but Kim’s own fears and doubts as well. If she’s going to survive, she’ll have to do things she’s never done before – and become something beyond her wildest imagining.
Noted science fiction, fantasy, and noir author K. W. Jeter takes a new turn in the thriller genre, building on the dark, gritty moods of his previous science fiction and horror novels. Fans of mystery and suspense novels will find a lot to like in the Kim Oh series. It recalls Richard Stark's (Donald Westlake's) Parker novels but with a smart, tough female taking the lead. Kim is cousin to Sara Paretski's V.I. Warshawsky and Stieg Larsson's Lisbeth Salander (The Girl with the Dragon Tattoo). Sit back, buckle up, get ready for the ride . . .
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Dine's prose is a poet's prose, often beautiful . . . [the book] reads like a skier on a slalom course full of jigs, jags, and quick jumps that capture a good amount of the fine surprises and sudden disasters in her life.
- Norman Mailer
In a series of unflinching vignettes laced with heartbreak and often with humor, Places in the Bone gives an unforgettable account of loss and survival, childhood secrets banished from memory, and the will of language to retrieve the missing parts of oneself and one’s past. Woven together with unmistakable lyricism, Dine’s narrative moves back and forth in time and place -- from the childhood bedroom that fills her with fear, to a hospital room after her surgery for breast cancer, to an adobe hut in a New Mexico artists’ colony where she escapes and finds her voice.
This voice, it turns out, is a chorus -- a harmony of cries, both anguished and triumphant. Among them we hear a young girl speak about the abuse by her father; we hear the tormented reflections of a mother who, for several years after a divorce, loses contact with her young son; and we hear the testimony of a cancer survivor. Through it all, we feel the determination, courage, and creativity of a woman who has spent more than two decades confronting her past, her body, and her identity. Despite having struggled with a series of relationships, Dine finds positive influences in her life, including her mentor, Anne Sexton, who recognizes the fire in her words, and Stanley Kunitz, whose indomitable spirit provides enduring inspiration.
More than a story of personal loss, the memoir moves us with its humanity, its unnerving wit, and its defiant faith. As the fragments come together, we experience Dine’s joy in living and her reconciliation with the past that allow her to renew bonds with her son, her sister, and her mother. In page after page, the memoir witnesses the power of art to refigure a body, to transform suffering, and ultimately, to redeem.
...a startlingly honest exploration...(Dine)comes to a crucial understanding
of how writing gives her ownership over her life.
- ForeWord Magazine
In this powerful memoir, poet Dine reflects...on how disease is just one aspect
of a life worth living.
- Library Journal