
No easy answers. No big international spy secret bank accounts. No superheroes or magic. Just her wits, guts… And a very large gun.
Training to be a killer was only the first half of the job. Now Kim has to put her life on the line – not just to get revenge on her crooked ex-boss, but to keep from being killed herself before she can take her first shot. Her only help is Cole, the crippled hitman who agrees to show her how to use a gun. And they’re up against not only a crew of murderous security guards – but Kim’s own fears and doubts as well. If she’s going to survive, she’ll have to do things she’s never done before – and become something beyond her wildest imagining.
Noted science fiction, fantasy, and noir author K. W. Jeter takes a new turn in the thriller genre, building on the dark, gritty moods of his previous science fiction and horror novels. Fans of mystery and suspense novels will find a lot to like in the Kim Oh series. It recalls Richard Stark's (Donald Westlake's) Parker novels but with a smart, tough female taking the lead. Kim is cousin to Sara Paretski's V.I. Warshawsky and Stieg Larsson's Lisbeth Salander (The Girl with the Dragon Tattoo). Sit back, buckle up, get ready for the ride . . .
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No easy answers. No big international spy secret bank accounts. No superheroes or magic. Just her wits, guts… And a very large gun.
Training to be a killer was only the first half of the job. Now Kim has to put her life on the line – not just to get revenge on her crooked ex-boss, but to keep from being killed herself before she can take her first shot. Her only help is Cole, the crippled hitman who agrees to show her how to use a gun. And they’re up against not only a crew of murderous security guards – but Kim’s own fears and doubts as well. If she’s going to survive, she’ll have to do things she’s never done before – and become something beyond her wildest imagining.
Noted science fiction, fantasy, and noir author K. W. Jeter takes a new turn in the thriller genre, building on the dark, gritty moods of his previous science fiction and horror novels. Fans of mystery and suspense novels will find a lot to like in the Kim Oh series. It recalls Richard Stark's (Donald Westlake's) Parker novels but with a smart, tough female taking the lead. Kim is cousin to Sara Paretski's V.I. Warshawsky and Stieg Larsson's Lisbeth Salander (The Girl with the Dragon Tattoo). Sit back, buckle up, get ready for the ride . . .
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Transforming Publishing for Today's Authors

Drawing on Gary Provost's proven philosophies, Peter Rubie examines every facet of storytelling, from narrative hooks to fulfilling climaxes. Through advice, exercises, and an outstanding array of examples, you'll lean to create gripping narratives powered by strong characters. You'll discover the secrets of sequencing, of weaving subplots into rich stories, and manipulating story pace to increase conflict, tension, and surprise.
Rarely does a writing guide arrive with the authority of HOW TO TELL A STORY.
—Publishers Weekly
HOW TO TELL A STORY is a must for anybody who writes nonfiction or fiction--television and screenwriters included.
—Hugh Wilson, creator of WKRP in Cincinnati
and director of The First Wives Club
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A most useful book that will aid anyone trying to become a writer of fiction.
I recommend it highly.
--Roderick Thorp, bestselling author of River, Die Hard, and Detective
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Gary Provost was one of the best friends a writer ever had. He knew that all writers face a hard challenge: to take their ideas, aspirations, and vapors of creativity, and make them concrete for the reader. How to do it? Treat writing as a craft, with techniques that can be learned, with tricks that can be taught. In this book, Peter Rubie shows Gary Provost as his best.
--William Martin, author of Cape Cod and Annapolis
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HOW TO TELL A STORY offers a harvest of time-tested, problem-solving techniques that will enrich every writer's art and craft. It's a feast of innovative, clearly stated advice that will nourish a writer's confidence and career. Read it and you will reap its many rewards.
--Gerald Gross, author of Editors on Editing
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